| Sacrilege, Sacrifice and John Barbour’s Bruce |
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Sarah Tolmie |
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| Pasts, Futures, and Connections between Scotland, Ulster, and Ireland: a critique of some historiographical tendencies |
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G. K. Peatling |
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| My Words Should Catch Your Words: myth, writing and social ritual in A.L. Kennedy’s Everything You Need |
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Mihai Tudor Balinisteanu |
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| The Ambiguity of ‘Union’ and the Development of rhetoric in Scottish-American Higher Education: provincial anxiety in John Witherspoon’s language and syntax |
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Gideon Mailer |
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| Aspects of Thrift in East End Glasgow: new accounts at the Bridgeton Cross branch of the Savings Bank of Glasgow, 1881 |
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Gordon Douglas Pollock |
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| Gordon Noble. Neolithic Scotland: Timber, Stone, Earth and Fire |
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Ian Armit |
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| Callum G. Brown, Religion and Society in Twentieth-Century Britain |
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Stuart Macdonald |
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| Paul E. Kerry and Jesse S. Crisler (eds.), Thomas Carlyle, Literature and Belief |
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Tim Krizner |
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| Michael A. Taylor, Hugh Miller: Stonemason, Geologist, Writer |
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Monica Finlay |
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| Iain Whyte, Scotland and the Abolition of Black Slavery, 1756-1838 |
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Femi J. Kolapo |
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| Geoffrey Plank, Rebellion and Savagery: The Jacobite Rising of 1745 and the British Empire, and Paula Martin Cupar: The History of a Small Scottish Town |
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A.M. Allen |
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| Trevor Royle, The Flowers of the Forest: Scotland and the First World War and Derek Young, Forgotten Scottish Voices from the Great War |
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Kris Gies |
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| Paul Cowan, How the Scots Created Canada |
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Andrew Hinson |
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| Pamela Robertson (ed.), Doves and Dreams: The Art of Frances Macdonald and James Herbert McNair |
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Elizabeth Cumming |
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| Gillian H MacIntosh, The Scottish Parliament under Charles II, 1660-1685 |
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Rob Macpherson |
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